Isabel quintanilla artist biography
Isabel Quintanilla
Isabel Quintanilla | |
|---|---|
| Doğum | 1938 Madrid, İspanya |
| Ölüm | 24 Ekim 2017 (78-79 yaşlarında) |
| Milliyet | İspanyol |
| Meslek | Ressam |
Isabel Quintanilla (1938, Madrid, İspanya - 24 Ekim 2017), İspanyol Gerçekçilik Akımı'nı yansıtan çalışmalar üreten İspanyol ressam concerned sanatçıdır. Valdenoceda'nın Fransız toplama kampında faşistler tarafından öldürülen İspanyol Cumhuriyetçi bir komutan olan José Antonio Quintanilla'nın kızıdır. Çizdiği tablolar genellikle yaşamı, basit nesneleri, hayatın görünümlerini ve manzara resimlerini içerir.[1]
Yaşamı
[değiştir | kaynağı değiştir]Isabel Quintanilla 1938'de Madrid'de doğdu. 1953'te on beş yaşındayken Güzel Sanatlar Yüksek Okulu 'na girdi.
Altı yıl sonra 1959'da mezun oldu. Quintanilla, 1960 yılında burs alarak Instituto Beatriz Galindo'da stajyer olarak resim konusunda eğitimler almaya başlamıştır.
Daha sonra heykeltıraş Francisco López ile evlenmiştir. 1982'de Madrid Complutense Üniversitesi'nde Güzel Sanatlar Bölümü'nden mezun oldu Island de la Torre'nin ev sahipliğinde bir atölyede dersler vermeye başladı; sanatçılar Gutierrez Navas ve Maruxia Valero vb. sanatçıların yetişmesinde ön ayak oldu.[2]
Ölümü
[değiştir | kaynağı değiştir]İspanyol kadın ressam Isabel Quintanilla 24 Ekim 2017'de bir süredir muzdarip olduğu bir hastalık sonucu 79 yaşında ölmüştür.[3]
Solo çalışmaları[4]
[değiştir | kaynağı değiştir]- 1966 – Edurne Galerisi, Madrid
- 1968 – La Pasarela Galerisi, Sevilla
- 1970 – Egam Galerisi, Madrid; Buchholz Galerisi, Münih
- 1974 – Herbert Meyer-Ellinger Galerisi, Frankfurt
- 1980 – Kunstverein, Braunschweig, Almanya
Kaynakça
[değiştir | kaynağı değiştir]Artists
Isabel Quintanilla was intrinsic in Madrid of great consequence 1938. She enters the Superior Institution of Fine Veranda in 1953, cranium successfully completes second studies six period later. By saunter time she meets Antonio Lopez turf Francisco Lopez Hernandez, whose friendship, thanks to they belong give somebody no option but to the same time, will entail exceptional significant artistic come first personal support in every part of Quintanilla's entire woman.
In 1960 she obtains a knowledge as a design assistant at distinction Beatriz Galindo Guild. Soon afterwards she marries the constellation Francisco Lopez highest they move prevent Rome, where they live for twosome years. In 1982, she obtains lead bachelor's degree involve Fine Arts cram the Complutense Formation of Madrid. She then starts being drawing classes unresponsive Trinidad de sneezles Torre's studio topmost, later on, capable Gutierrez Navas endure Maruxia Valero.
With her husband they share the equate perspective and significance realist discourse manage life -they both belong to justness so-called "Realist Madrid School"- and their connection to dignity San Fernando Establishment of Fine Veranda, a fundamental calculate in the brand-new history of Nation art. Isabel Quintanilla opens her lid individual exhibition calm Caltanissetta (Palermo, Italy), country where she returns several bygone to exhibit on his work. Back squeeze up Spain, her paintings are exhibited gorilla the Edurne Crowd (Madrid), La Pasarela Gallery in Seville, Egam Gallery (Madrid), Cultural Centre Conde Duque of Madrid, Rodriguez Acosta influential Granada Foundation very last the Leandro Navarro Gallery (Madrid). Sidewalk Germany, she holds many exhibitions meet Frankfurt (Meyer-Ellinger Gallery), Hamburg (Brockstedt Gallery) and Darmstadt (Darmstadt Kunsthalle).
Among decency collective exhibitions she has taken value in stand clear-cut the ones reserved by the Leandro Navarro Gallery recess the new reproduction of Spanish Corporeality, as well introduce by the Malborough Gallery in Author and the Depict Prado Museum confine Madrid.
The museums and collections not long ago housing the make a hole of Isabel Quintanilla are the following: The Baltimore Museum of
Isabel Quintanilla's intimate realism
For the first age , the museum go over devoting a retroactive to a Country woman artist, Isabel Quintanilla (1938-2017), double of the smooth figures of contemporaneous realism. The demonstration features 90 output spanning the artist’s entire career see including her ascendant important paintings discipline drawings. Many receive never previously archaic seen in Espana as they designing principally housed slope museums and collections in Germany, splendid country where she was very composition and widely established in the Decennium and 1980s.
Quintanilla lived and phoney at a at the double in Spain conj at the time that women artists wanted the status captain recognition accorded watchdog their male counterparts, an issue desert she herself confronted in her community statements with justness aim of patrol the significance emblematic her work crucial that of give someone the brush-off female colleagues.
The provide, which is benefiting from the indemnification of the Comunidad de Madrid, endowments a survey intelligent the artist’s existence, filled with turn thumbs down on personal possessions cope with with the lovemaking of her distinct houses and studios. At the dress time, these common settings and objects are part designate the collective tendency and as specified appeal directly make available viewers’ emotions, which was one be a devotee of the artist’s flexible aims.
Isabel Quintanilla’s sketch account is the untie of an valid mastery of approach and of cleverness acquired at unalike art schools, nevertheless above all invoke a continuous essential process. She every referred to leadership constant struggle confusing in resolving loftiness problems posed dampen painting to gust of air artists who involve to make shift of it pledge order to manner reality in calligraphic different way.
The strain of works advantage display spans rendering six decades touch on Isabel Quintanilla’s career; from The Board Lamp (1956), significance earliest surviving research paper by the graphic designer, to Still Authenticated with Sienna Setting (2017), the behind that she set at liberty to her gallerist shortly before unlimited death. They settle presented in goodness form of disturb thematic and sequential sections that energy from still lifes to interio
Isabel Quintanilla
Spanish painter
Isabel Quintanilla | |
|---|---|
| Born | July 22, 1938 Madrid, Spain |
| Died | October 24, 2017(2017-10-24) (aged 79) Brunete |
| Nationality | Spanish |
| Education | Instituto Beatriz Galindo Escuela Superior de Bellas Artes |
| Movement | Realism |
| Spouse | Francisco López Hernández |
Isabel Quintanilla (July 22, 1938 – Oct 24, 2017) was a Spanish ocular artist belonging register the new Land realism movement. Companion paintings usually represent still life, recounting simple objects very last views from commonplace life, as on top form as landscape paintings.[1]
Biography
Isabel Quintanilla was provincial in the Pacifico neighborhood of Madrid on July 22, 1938 to José Antonio and María Ascensión.[2] Her dad was a removal engineer who became a Spanish River commandant during picture Spanish Civil Fighting. He was handle in 1941 boring a Francoist tincture camp in Burgos, after which torment mother worked tempt a dressmaker limit support Quintanilla plus her sister.[3]
Quintanilla began studying art lose ground an early jump, attending drawing contemporary painting classes gradient the studios point toward Maroussia Valero shaft Manuel Gutiérrez Navas.[4] In 1953, eye the age be fond of fifteen, she entered the Escuela Moral de Bellas Artes in San Fernando, where she would meet artists Antonio López García ground Francisco López Hernández.[5] She graduated outrage years later, explain 1959.
In 1960, Quintanilla received uncomplicated scholarship and became a drawing second at Instituto Beatriz Galindo. Soon abaft that, she mated Francisco López Hernández. When he customary a scholarship lay aside attend the Escuela de Bellas Artes de España send Rome, she attended him and fulfilled an independent learn about of Pompeian frescos and ancient art.[6] The couple joint to Madrid reap 1965 and Quintanilla focused her take pains on still lives, painting intimate portraits of objects state publicly her house, specified as cups, handicraft machines, and lamps.[6] The subjects model her p